Lectures & Events Art & Culture Tickets Past Lecctures & Events
         
 

Past Lectures & Events 2004

 

Thursday, February 19, 2004, 6pm Santa Fe, NM
SITE SANTA FE PRESENTS A COLLECTORS’ FORUM
TO DISCUSS COLLECTING CONTEMPORARY ART
AT ST. FRANCIS AUDITORIUM, MUSEUM OF FINE ARTS


Friday, February 27, 2004, 6pm
Alfredo Jaar with David Levi Strauss, a dialogue and performance
The Lensic, 211 West San Francisco
Admission $8; SITE Santa Fe Members and Students $4. For tickets, call Lensic box office at 988-1234.


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  Thursday, March 18, 2004, 6 pm
Uta Barth with Charles Stainback, a dialogue
Tipton Hall at The College of Santa Fe, 1600 St. Michael’s Drive
Tickets are $8 for adults, $4 for students & seniors, $4 for SITE Santa Fe members at Friend and Family levels, and free for SITE Santa Fe members at Supporter level and above, with reservation.

For tickets, call 505-989-1199 x 10.



 
Uta Barth
Untitled (nw9) from nowhere near series, 1999,
Framed color photograph, Edition of 4, 35 x 88 inches.
Courtesy of the artist; ACME Gallery, Los Angeles; and Tanya Bonakdar Gallery, New York.

  Saturday, March 27, 2004, 6 PM
Frederick Hammersley with Arden Reed, a dialogue
Tipton Hall at The College of Santa Fe, 1600 St. Michael’s Drive

Tickets are $8 for adults, $4 for students & seniors, $4 for SITE Santa Fe members at Friend and Family levels, and free for SITE Santa Fe members at Supporter level and above, with reservation.

For tickets, call 505-989-1199 x 10.




 
Frederick Hammersley
Opposing #15, 1959. oil on linen, 30 x 24 inches.
Courtesy of Charlotte Jackson Fine Art, Santa Fe.


  Friday, April 30, 2004, 6 PM
Jim Campbell with Steve Dietz, a dialogue
Tipton Hall at The College of Santa Fe, 1600 St. Michael’s Drive

Tickets are $8 for adults, $4 for students & seniors, $4 for SITE Santa Fe members at Friend and Family levels, and free for SITE Santa Fe members at Supporter level and above, with reservation.

For tickets, call 989-1199 x 10.



 
Jim Campbell
Church on Fifth Avenue, 2001, Custom electronics, 768 LED's, treated Plexiglas, 29 x 22 x 6 1/2 inches. Courtesy of Stephanie & Andrew Hale and Hosfelt Gallery, San Francisco, California. Made with the financial assistance of the Daniel Langlois Foundation for Art, Science and Technology.


 

Friday, May 14, 2004, 5 PM
James Drake and Pascal Dusapin
Tipton Hall at The College of Santa Fe, 1600 St. Michael’s Drive

Tickets are $8 for adults, $4 for students & seniors, $4 for SITE Santa Fe members at Friend and Family levels, and free for SITE Santa Fe members at Supporter level and above, with reservation. For tickets, call 505-989-1199 x 10.


 
City of Tells, 2003
Video
Courtesy of the artist


 

Saturday, May 15, 2004, 6 PM
Together with SITE Santa Fe & Santa Fe New Music, The Santa Fe Opera’s Intermezzo Opera Bites program will host a presentation with Pascal Dusapin at Stieren Orchestra Hall. Free Admission.

For reservations for either of these two events, please call SITE Santa Fe at 505-989-1199 x 28.


   
  Friday, August 6, 2004, 7 PM
The Man Who Laughs
with musical score by BING
The Lensic Theater
211 West San Francisco Street

Tickets: $12 for Adults; $6 for students & seniors, and SITE Santa Fe members at Friend, and Family levels. SITE Santa Fe members at the Supporter level and above, free with advance reservation. Seating is limited, advance purchase is recommended. Please call the Lensic Box Office at 988-1234.

Presented in conjunction with The Lensic, Santa Fe's Performing Arts Center. Film print provided courtesy of The Library of Congress.


 

  Thursday, August 12, 2004, 7 PM
Pamela Kort: A Lecture
Grotesque: The Emergence of Modernism in the Art of German Speaking Europe 1870-1905


A part of SITE’s Art & Culture series for The Fifth International Biennial Disparities and Deformations: Our Grotesque

Please join us to hear this noted German art historian and independent curator offer an art historical context for Robert Storr’s exhibition.

 

  Thursday, September 2, 2004, 7 PM
Lisa Yuskavage and Richard Tuttle: A Dialogue


While Yuskavage's seductive figures seem to perpetuate the male gaze, they simultaneously critique the objectification of women. "I only load the gun," the artist has said, leaving the rest up to the viewer.

In direct contrast to the macho materials of other minimalist artists of his generation, Tuttle's economy of gesture and touch confounds viewers, eluding any reference to traditional drawing, sculpture, or assemblage.

 
Left to Right:
Photo of Lisa Yuskavage by Jason Schmidt; Lisa Yuskavage, Smiley, 2003, Oil on linen, 34 x 30 inches, Collection of David Teiger.

  Wednesday, September 15, 2004, 7 PM
Inka Essenhigh with Charles Stainback: A Dialogue


This event is presented in collaboration with Santa Fe Community College’s Painting As Inquiry, a two-year discussion series on contemporary painting featuring nationally recognized painters, art critics, and curators.

 
Inka Essenhigh, Chainlink Fence, 2004, Oil on canvas, 76 x 70 inches, Private collection, Courtesy of 303 Gallery, New York and Victoria Miro Gallery, London.

  Thursday, October 21, 2004, 7 PM
Bruce Jenkins: The Bruce Conner Story, Part 2 Retold


This program examines the work of the American artist and filmmaker Bruce Conner and offers insights into the manifold ways in which the central themes of Conner's art making have been reflected in and refracted through his films.

Bruce Jenkins is the newly appointed Dean of Undergraduate Studies at the School of the Art Institute of Chicago.

 
Left to Right:
Photo of Bruce Jenkins; Still from A Movie; America is Waiting. Films courtesy of Canyon Cinema; photos courtesy of the artist.

  Thursday, November 18, 2004, 7 PM
Lamar Peterson: A Walk-through of the Exhibition


Lamar Peterson's unconventional and unsettling paintings depict the American dream gone awry. The characters and environments in the Peterson's vivid compositions are comforting and familiar at first glance, but become disturbing narratives upon closer observation.

 
Lamar Peterson, Puppet/Kill Me Please, 2003, Acrylic on paper bag, 12-1/2 x 10 x 4 inches, Collection of the artist.

  Thursday, December 9, 2004, 6 PM
Kim Jones: A Dialogue


Kim Jones is well known for his performance work, drawings, and sculptures. He has appeared on street corners and in subways, galleries and museums as "Mud Man," with its aggressive and adaptive sculptural components constructed of a lattice framework covered with sticks, tape, and mud.

 
Kim Jones, Self-Love, 1986, Ink, acrylic, and gouache on black-and-white photograph, 16 x 20 inches, Courtesy of the artist and Pierogi, Brooklyn.