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| NICOLÁS GUAGNINI LECTURE Tuesday, October 16, 2007, 6 pm Martes, 16 de octubre del 2007, 6 pm Presented by SITE Santa Fe SITE Santa Fe, 1606 Paseo de Peralta, Santa Fe 505.989.1199 / www.sitesantafe.org Admission: $10 adults; $5 students, seniors, and DCP members In Nicolás Guagnini’s work included in Los Desaparecidos/The Disappeared exhibition, which is titled 30,000 (the number of the disappeared in Argentina), he uses the picture of his father that his grandmother carried in the demonstrations. Guagnini’s father was a journalist who covered national and international politics, and was disappeared on December 12, 1977. As the viewer moves around the sculpture, the image of Guagnini’s father’s face appears and disappears. In this lecture, Guagnini will discuss his artistic practice, and his experiences growing up in Buenos Aires, Argentina. En la obra de Nicolás Guagnini 30,000 (número de desaparecidos en Argentina) e incluída en la exhibición Los Desaparecidos, Guagnini utilizó la foto de su padre que fue exhibida por su abuela en las demostraciones. El padre de Guagnini, periodista que reportaba sobre la política nacional e internacional fue desaparecido el 12 de diciembre de 1977. Al moverse el espectador alrededor de la escultura, la imagen de la cara del padre de Guagnini aparece y desaparece. En esta presentación, Guagnini expone su práctica artística y sus experiencias cuando crecía en Buenos Aires, Argentina. |
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LAUREL REUTER AND LAWRENCE WESCHLER: A CONVERSATION
THE DISAPPEARED COLLABORATIVE PROJECT PRESENTS chief curator and founding director of the North Dakota Museum of Art Laurel Reuter in dialogue with Lawrence Weschler, essayist in The Disappeared catalogue and long-time writer for The New Yorker. Weschler’s 1987-89 series on Brazil and Uruguay first introduced the subject of the disappeared to many in the United States. His books on political reportage include The Passion of Poland and A Miracle, A Universe: Settling Accounts with Torturers. His most recent work is Everything that Rises: A Book of Convergences. Weschler, awarded a Lannan Award for Nonfiction in 1999, is currently director of the New York Institute for Humanities at New York University. In this conversation, Reuter, curator of Los Desaparecidos/The Disappeared, and Weschler will discuss the artistic, social, and political significance of the artists and works in DCP exhibitions and events. As Reuter writes in her catalogue essay: Art born of the need to tell. When Identity, a collaborative installation by thirteen Argentinean artists, opened in Buenos Aires, three people discovered their long-hidden identities. They have been taken at birth from those who opposed the government and adopted into military families. Through such art these artists fight amnesia in their own countries as a stay against such atrocities happening again. |
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Contemporary Art In Context |
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The 2008 Biennial |
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Bill Hearne's Roadhouse Revue |
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My Life in Art |
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My Life in Art |
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My Life in Art |
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Art on the Global Stage |
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Wild West Film Fest |
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The Work of Hans Schabus |
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Tuesday, May 8, 6 pm |
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Contemporary Art In Context |
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Tuesday, March 27, 6 pm |
![]() Photo credit: Andrew H. Walker, New York City |
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Tuesday, March 13, 6 pm |
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CANCELLED |
![]() Photo credit: Jean-Claude Planchet |
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Thursday, February 22, 7 pm |
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Monday, February 19, 6 pm |
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Friday, February 16, 6 pm |
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Tuesday, February 13, 6 pm |
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Friday, January 5, 7:30 pm |
![]() Photo: Michelle Vest |