Jessica Stockholder’s sprawling constructions have played a crucial role in expanding the dialogue between sculpture and painting and form and space. Within her work, the artist merges seemingly disparate, everyday objects to create holistic, colorful installations. Stockholder employs quotidian goods such as plastic bags and containers, extension cords, lumber, plywood, carpets and furniture, drawing attention to the aesthetic and formal qualities of these often overlooked items while avoiding overt symbolism and narrative storytelling. With deliberate placement and the eye of a master colorist, she maps out a constructed world informed by numerous artistic traditions, including abstract expressionism, color field painting, installation art and minimalism.

Jessica Stockholder was born in 1959 in Seattle, Washington and currently lives and works in Chicago, Illinois. She has exhibited widely in museums and galleries internationally. Her work is represented in the permanent collections of numerous museums including the Whitney Museum of Art, New York; The Art Institute of Chicago; MoCA LA; SF MoMA; the Museum of Fine Arts, Boston; The British Museum, London; and the Stedelijk Museum, Amsterdam. Stockholder had her third solo exhibition at Mitchell-Innes & Nash, The Guests All Crowded Into the Dining Room, in the fall of 2016. Her solo show, Walking to Sea, is currently showing at Galleria Raffaella Cortese in Milan through April 2024. Other recent solo exhibitions include Nomadic Musings at Frac Normandie, Sotteville-lès-Rouen (2023-24); The State of Things with Ettore Sotssass at Leo Koenig Gallery, New York (2023); Specific Shapes at Kavi Gupta Gallery, Chicago (2021); Digital Thoughts at 1301PE, Los Angeles (2020); and Relational Aesthetics at The Contemporary Austin, Austin (2018-19).