As part of the Critical Indigenous Photographic Exchange (CIPX), Diné artist Will Wilson invites participants with lived, inherited, or visionary relationships to nuclear culture—uranium mining, atomic testing, environmental cleanup, and speculative futures—for a portrait session using the historic wet plate collodion process.

Created on-site at SITE SANTA FE, these tintype portraits become a living archive of those who have been affected by, have resisted, or continue to dream through the legacy of nuclear colonialism. Wilson’s process foregrounds Indigenous visual sovereignty and ecological witnessing, positioning photography as a relational act and a tool for historical redress.